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Posts Tagged ‘Sarah Hayes’

Fireflies

Book review by Sarah Hayes

Linda had everything going for her: a loving boyfriend and a life that seemed perfect. That is, until the night a beautiful woman in the park seduces Linda and what would have been a sensual fling turns into a life shattering event as Linda is turned into a nymphomite. Reborn into something not human, Linda is forced to abandon her old life in order to live as a nymphomite, feeding off the energies of female humans’ blood during orgasm. As Linda masters her skills at literally sucking the pleasure from her targets, she becomes more aware of the fact that she will never be part of normal human society again.

To the newly nymphed Linda, every woman is a potential meal, another source of energy for survival – until she meets Jesse. Jesse is clever and funny and wants to create a portrait of Linda for her private collection. What was supposed to be a typical eat-and-run turns into something more when Linda decides to turn Jesse into a nymphomite just like her. But Jesse’s turning comes with a dark price; stripped of her humanity, Jesse becomes the creature Linda most fears to become and abandons her maker in her rage of becoming a nymphomite. Linda must track down Jesse in the city while also keeping herself alive, before someone else suffers the same fate as them.

Lacey Reah’s novella Fireflies is an erotic story of horror and humanity that puts a rather sexy yet terrifying spin on what it means to be human. Reah presents us with an interesting take on the basic vampire, only the blood they suck must be during orgasm or else it does not work. Instead of romanticizing Linda’s life as something strange and wonderful, the story quickly shows the reality of living solely off the blood of the aroused, carefully straddling the realms of horror and drama without becoming too gruesome. Fans of the unconventional bisexual vampire will delight in Reah’s debut into fiction.

Blunderland  

Book review by Sarah Hayes

Fin Barrett is looking for a fresh start in a new town, away from her troubled past. But when she and her new pet puppy Zipper walk through a mysterious marble arch in a sculpture garden, what she finds on the other side is another world. It is a world where cars can move at the speed of light, sparkly goo can twist the laws of physics, and stories are written down not on paper but on fabric. This is Blunder and Fin has been here before.

Not everything about the strange new world of Blunder is innocent. The Creeps are coming out of the woodworks like never before to raise havoc and attack people at random for the fun of it. Plus, while Fin may not remember her previous trip to Blunder, some of its citizens do – and not everyone is pleased to see her come back. To piece together the puzzle of her place in Blunder, Fin will have to travel to many odd places and take a look into the past to save the future of a place she barely remembers.

Blunderland is a bizzare and dizzying fall through the proverbial rabbit hole into a world that breaks all the rules simply by existing. The fact that Fin has been in Blunder before and does not remember being there is a fascinating twist on what could have easily fallen into typical wonderland territory. Some scenes are hampered by more telling than showing what is going on in the scene, but this is compensated by O’Kane’s vivid descriptions of the wild and wonderful curiosities that inhabit Blunder. She has created an interesting cast of characters in a topsy-turvy world that will pleasantly surprise fantasy and supernatural fans alike.

Blood Orchard  

Book review by Sarah Hayes

The headlines read of six-month old triplets kidnapped, bloodied. The small town where they live is under a literal lockdown, and the sheriff is hell bent on finding the babies’ kidnappers, merrily abusing his powers as he goes. Having recently moved into town, Coren Raines finds himself in a hellish world of panic rooms and dead girls springing out of a well smelling of oranges. The deeper he falls down the bloody rabbit hole, the more Raines learns that this town is brimming with secrets better left buried.

In 1993, a terrible team of blondes bullied the town, beating on the young and the old alike. No one ever dared touch them, as they were the sheriff’s children. They called them the Blondies, and their favorite target was one Francine Heller. When the opportunity for a bit of revenge falls into Francine’s lap, she falls into some bad company in order to make the Blondies feel the same pain she has. But vengeance doesn’t sleep and the town will soon smell of blood and oranges once again.

Blood Orchard is a visceral mess of carnage and cusses and little else. I can handle gore and violence done right; this is gore and violence done wrong. All of the horror elements fall flat due to Hintz’s continual abuse of the “show, don’t tell” rule. None of the characters involved have any redeeming factors to them. There’s a difference between having a cast of gritty flawed characters and having a cast of utterly hateable characters, and Blood Orchard seems to gleefully drop itself into the later category. I’d be more forgiving of Blood Orchard if it had a decent story or even decent writing, but no, the story is lackluster and the writing lazy. But give Hintz credit: it’s a story you’d be hard-pressed to pull away from before the book’s end. It pulls you in and demands that you finish it, like it or not, and that is a compliment that is hard to earn.

Shadow of the Antlered Bird  

Book review by Sarah Hayes

College student April doesn’t know much about Tam – but when his life is in danger from an invisible enemy, April is drawn into his world and joins him on a road trip across the state of California to dodge death from a shadow. Tam doesn’t know anything about April, but ends up relying on her as a means of escape from the creature that wants to destroy and become him. If Tam thinks he’s finally escaped his mother’s grasp, he’ll soon find out how wrong he is.

The world of Shadow of the Antlered Bird is one of magic hidden beneath the veneer of technology. It is also a story of discovery for not only Tam and April but also for readers discovering how science and spells can seamlessly synthesize in the hands of a talented storyteller.

David Sklar’s premiere work, Shadow of the Antlered Bird, should make readers excited for his next writing projects. His writing is tightly contained yet manages to weave in great amounts of detail and imagery in a modest amount of pages. The dialogue is fresh and rolls naturally from the characters’ mouths even as the situation becomes more and more bizarre. It is a beautifully put together book of fantasy and drama told by a very human cast of characters that will enthrall every reader completely.

She Nailed a Stake Through His Head  
Book review by Sarah Hayes

The true terror of the Bible comes to life through its unwitting characters, some knowing pieces of a greater game and some ignorant pawns in His divine machinations. Either walking in the dunes of the Middle East or swimming a stormy ocean, they are all looking for answers and trying to live normal lives. They are Ruth and Naomi, who both share the blessing and the curse of a double-edged devotion to one another. Delilah, who betrays Samson for something different than money and pays the price for it. Holofernes, whose wife beheads him every night only to grow it back much to her disgust.

She Nailed A Stake Through His Head is a collection of stories that take a darker look at the parables of the New and Old Testaments, without losing the markings that make them so Biblical, so affecting and yet so startling. Those who think the Bible is nothing but life lessons and comforting anecdotes will find themselves unsettled in a satisfying way by its frankness and explicit details. There is sex and violence and savagery of body and mind along with some very supernatural happenings, including vampires of the most grisly sort.

There is nothing tame about the stories in She Nailed A Stake Through His Head; everything from the visual imagery to the storytelling is brutal and unrestrained in its mission to show the unsung side of some of the well-known tales of the Good Book. The language is gorgeously detailed and unrelenting and it is refreshing to read a collection of stories by multiple authors that carries a consistently high level of quality. Readers who are willing to set aside their preset notions about the characters birthed in the Bible will find themselves surprised by the richness and honesty of those lives retold in She Nailed A Stake Through His Head.

Tapestry of Tales  

Book review by Sarah Hayes

A young woman cloaked in red visiting her grandmother is warned to beware of wolves. A prince and his aide venture through the countryside to free a sleeping princess from a castle surrounded by thorns. For the love of a human man, a mermaid sacrifices her tail and her voice. At night, twelve princesses dance so much and so long that their shoes fall apart on their feet. These may sound like the typical characters of your everyday fairy tale – but they are not. In fact, with a little twist of the words on the page, the heroes and heroines of stories long past turn into something brand new but just as enthralling.

As Tapestry of Tales shows, even the oldest of stories can be looked at in a new way. Sometimes, when you change the perspective of the story, the heroine doesn’t seem so fair or the hero so noble and sometimes the villain comes out looking rosier than her detractors. Like in real life, every story has two sides and more than one way to tell it. When you see the witch holding the beautiful princess captive isn’t evil at heart and the woodcutter lending a hand to the little lost girl in the woods isn’t innocent – well, it makes you wonder what other fairy tales hide another facet to them.

With this book, Sarah Deckard has put some creative and decidedly dark spins on classic fairy tales – from Sleeping Beauty to Snow White and the Seven Dwarves. Her writing style is lavishly descriptive and thick with vivid imagery that seems apropos for her rehashed fables, which have all taken on a somber (if not outright sinister) accent. Some stories have an effective punch, while others get lost in their own detailed prose and lack impact. Having said that, the stories with the most striking affect are the ones that linger in the mind long after that particular tale is done; I found the retakes on Little Red Riding Hood (Beware of Wolves) and Sleeping Beauty (The Prince and the Thorns) the most effective of the collection. Deckard has shown, as illustrated in the final tale of this volume, that new things can spring up out of things old and forgotten – and that out of the fairy tales of olden times, new ones can still be dreamt of and told to generations to come.